Situated at the intersection of sculpture and adornment, their works act as material extensions of both body and thought. “Liminal Objects” opens a dialogue around art, design, and wearability, where form becomes symbolic, tactile, and emotionally charged.

Bea González explores futurism, materiality, and the sublime through an interdisciplinary practice blending metal, textiles, and found materials. Her work emerges as a subjective execution of ideas, where body, thought, and experience merge in a sensitive reflection on form and temporality.

EC CØDE investigates the body as a site of transformation and resistance. Through the reanimation of obsolete materials, Eleanna Cadalso constructs singular wearable forms—objects that blur the boundaries between function and ritual, decay and design.

Sopadevodka employs discomfort as a language to reveal the tensions inherent in fashion. Working with metal as an ambiguous material between strength and fragility, her pieces transcend accessory status to exist as sculptures and sensorial experiences that embody resistance, tension, and transformation.

“Liminal Objects” invites viewers to inhabit the threshold between what is worn and what is witnessed, between art object and intimate possession, between body and matter.

Text by Marina Durán.